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Romance; User Ratings 8,3 / 10; Info In nineteenth century Massachusetts, with their father away serving in the Civil War, the women of the March family - the loving matriarch, Marmee (Laura Dern), and her four daughters, Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh), and Beth (Eliza Scanlen) - are left all alone to fend for themselves. Faced with genteel poverty, the fledgeling author, Jo, is struggling to make a name for herself in male-dominated New York City; considerate Meg is now married, and the artistically inclined, Amy, is in Paris with their affluent Aunt March (Meryl Streep). However, the news of talented Beth's illness will reunite the sisters under the same roof. But, more than anything in the world - much to the disappointment of the handsome next-door neighbor, Theodore "Laurie" Laurence (Timothée Chalamet) - the fiercely independent Jo yearns for freedom. Must all stories end with a wedding?; Directed by Greta Gerwig; country USA; stars Eliza Scanlen

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Download Little Women Movie for free. Download Little Women Movie. Download Little Women Movie For free. GRADE: A-
THIS FILM IS HIGHLY RECOMMENDED.
IN BRIEF: Greta Gerwig's film adaptation makes for a wonderful moviegoing experience not to be missed.
JIM'S REVIEW: Louisa May Alcott would have been overjoyed with Greta Gerwig's masterful adaptation of her classic novel, Little Women. Ms. Gerwig's has captured the essence of the beloved tale and updated it for today's modern sensibilities. She has created a lavish film that skillfully recreates the March sisterhood with stunning production values and an excellent cast.
The story is well known, so I will gingerly dance over the plot. I will say that the film, as with the novel, depicts a devoted family in 1868 trying to survive hard times after the Civil War. With Father still away at the battlefront, Mother Marmee looks after her four loving daughters: Meg, a down-to-earth type, Amy, an artistic but self-centered lady, quiet musically-talented Beth, and the central character, Jo, an aspiring authoress and modern-thinking woman of the times. This complicated story follows their separate lives and spans a number of years.
Director / writer Ms. Gerwig's is at the top of her game. The film is gorgeous in its visuals and outstanding production values. Alexandre Desplat's romantic music score sets the lyrical mood throughout the film and Yorick Le Saux's cinematography is stunning. Add to that, Jess Gonchor's wonderful production design and Jacqueline Durran's exquisite costumes which not only show a range of styles that comment on her sisters' personalities (from bohemian to straight-laced to the latest in Paris fashions) while also staying in period garb. As director, Ms. Gerwig allows time to distinguish each character's individual traits and their internal relationships with others. She shows the obstacles in being a woman during this era and never becomes overly preachy or feminist about it. She creates insightful dialog and conversations to tell their plight and ambitions with such concise craftsmanship and care.
Her screenplay does not follow the linear storytelling of the Alcott novel, and jumps from past to present. At times, this film structure gets a tad confusing, so that the moviegoer needs to latch onto changes in hair style, dress, or setting as a barometer to the timeline of events. But this is a minor annoyance. The script is one of the best film adaptations from an original source. It does condense some of the sub-plots about Meg's and Beth's life while emphasizing the sibling rivalry between Jo and Amy for more dramatic purposes.
Flawlessly acted by a cast that truly impresses, Saoirse Ronan portrays Jo as a feisty and head-strung heroine. She lights up the screen. The actress brilliantly conveys her character's self-doubt and determination about her writing. She handles the emotional highs and lows with a rare subtlety. It's a commanding performance that deserves award attention. Her playful relationship with Teddy, charmingly played by Timothée Chalamet, is one of the film's delight. Their chemistry together gives the film a deeper meaning and only enhances an already outstanding screenplay. Both Emma Watson and Eliza Scanlen, in their smaller roles as Jo's sisters, are very good. Most impressive is Florence Pugh in her larger role as the mercurial Amy. Her speech about the inequality of women's right is a standout and very well delivered. Strong support comes from an all-star ensemble that includes Meryl Streep, Chris Cooper,Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, Jayne Houdyshell, and Laura Dern, giving a lovely performance as the matriarch of the March household.
But it is Ms. Gerwig who deserves most of the accolades in bringing Little Women to the big screen. She expresses the yearning and passions of first love, the joys of adolescence, the sadness and heartache of life's disappointments, and beauty of the creative spirit through her words and vision. Little Women is one of the year's best films.

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. Little Women See page Watch Little& Women Online Vidzi WaTCh Little ONline MovIeSdbz…. It might be good but i cant watch anything with Meryl Streep in it, she has that whole Hilary Clinton vibe about her, nope can't do it. The 1994 adaptation directed by Gillian Armstrong is vastly superior to this offering in all respects. Christian Bale brings the much needed heft absent in previous versions to the important Laurie character. Timothy Chailamet is simply not up to the task - very poor casting. Saoirse Ronan always brings her "A" game to her performances. However, Winona Ryder's independent, spirited Jo is more faithful to the book. Completely off the mark is the portrayal of Beth. Claire Danes captures the fragility of the character without sinking to the maudlin. The great Susan Sarandon exudes the warmth and intelligence of beloved Marmie, not unlike the late great Mary Astor. Dern is terribly miscast in the role. (For a perfect casting of the very talented Laura Dern, one only need to see Noah Baumbach's excellent Marriage Story wherein she portrays a barracuda divorce attorney. br> Costumes, sets and music all lovely and superb in the '94 film, mediocre and drab in the 2019 remake. Most disappointing, however, is the screenplay. Gerwig's incessant flashbacks are an annoying distraction from the narrative and only serve to drain the piece from its original charm and freshness. The single "star" rating is for Ms. Ronan who made a valiant effort to rise above the material.

The title of my piece is "Why." Why remake a film if you cannot improve upon it in any meaningful way.

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